Marking the Process
Work continues in the studio as I develop variations of entangled vines and thickets. I have completed several grid experiments in both graphite and mixed media, which will serve as prototypes for larger work.
Below are three small panels painted for a local exhibit. All Small will hang at the Rock and Art Gallery in Bangor during November and December.
Entangled Grid 2, mixed media, 24x24
Preliminary design (left) and mixed media work (right) developed from it.
Entangled Grid 3, 36x36, mixed media on panel
Entangled Grid #1, graphite on yupo, 20x20
Below are three small panels painted for a local exhibit. All Small will hang at the Rock and Art Gallery in Bangor during November and December.
#1, 6x6, acrylic on panel
#2, 6x6, acrylic on panel
#2, 6x6, acrylic on panel
#3, 6x6, acrylic on panel
I have been searching for many strategies for making work in this series. In drawings below, p
reviously completed preliminary sketches have become the first layer for more developed work
that
I transform by adding layers of transparent marks to the original drawing.
Mixed media on paper, 11x14
Developed drawing from sketch, mixed media, 11x14
In developing the tangled landscapes of the southern woods, I have found strong contrasts with thickets of our northern forests, and look for ways to play one against the other.
North, oil on paper, 22x22
South, 30x30, mixed media on paper